John Baldessari

Double Play
October 19 - November 21, 2012
New York
Selected Works
<i>Double Play: Eggs and Sausage</i>, 2012 Image
Double Play: Eggs and Sausage, 2012
<i>Double Play: Clang Boom Steam</i>, 2012 Image
Double Play: Clang Boom Steam, 2012
<i>Double Play: Feelings</i>, 2012 Image
Double Play: Feelings, 2012
<i>Double Play: My Coloring Book</i>, 2012 Image
Double Play: My Coloring Book, 2012
<i>Double Play: Animal Crackers in my Soup</i>, 2012 Image
Double Play: Animal Crackers in my Soup, 2012
<i>Double Play: Never Swat a Fly</i>, 2012 Image
Double Play: Never Swat a Fly, 2012
<i>Double Play: Walking the Dog</i>, 2012 Image
Double Play: Walking the Dog, 2012
<i>Double Play: Swimming Through Tires</i>, 2012 Image
Double Play: Swimming Through Tires, 2012
<i>Double Play: Eyeball Kid</i>, 2012 Image
Double Play: Eyeball Kid, 2012
<i>Double Play: New Coat of Paint</i>, 2012 Image
Double Play: New Coat of Paint, 2012
<i>Double Play: Dirt in the Ground</i>, 2012 Image
Double Play: Dirt in the Ground, 2012
<i>Double Play: Moon River</i>, 2012 Image
Double Play: Moon River, 2012
<i>Double Play: Glow Worm</i>, 2012 Image
Double Play: Glow Worm, 2012
<i>Double Play: Take It With Me</i>, 2012 Image
Double Play: Take It With Me, 2012
<i>Double Play: Fish and Bird</i>, 2012 Image
Double Play: Fish and Bird, 2012

For Immediate Release.

John Baldessari: Double Play
October 19 - November 21, 2012

Opening Reception: Friday, October 19th, 6-8 pm

Marian Goodman Gallery is very pleased to announce an exhibition of new works by John Baldessari titled “Double Play” to open on October 19th - November 21st, 2012.

The exhibition consists of a new series of paintings on canvas in which Baldessari engages us in his strategic and diverse practice of selection and montage, removal and assembly, ‘taking an image to make an image’. In this series, he draws on the art historical canon, rather than photography and film, to juxtapose the part and whole, to contrast and weigh language, image, and color, and to interrupt context in order to arrive at new relationships, narrative allusions, or an enigmatic totality. “I am always looking to invert priorities, to make the unimportant important, leaving images out and letting [us] fill in the blanks”, says Baldessari.

«On one hand I think the older an image is the more it is exhausted of meaning – where it is a cliché. It’s dead. Because clichés are dead. I like the idea of playing Dr. Frankenstein and reinvesting the dead, a metaphor, with life again. Because clichés are true – they just have lost their meaning. And I can pump another kind of meaning back into it, but you are still aware of the source and where I’m directing the traffic.»1

Culling imagery from the history of painting, the Double Play works present motifs from art historical sources ranging from the 18th to 20th centuries, conflating visual fragments with adjoined and intersected areas of the canvas made from Baldessari’s own hand-painted color overlays, to create a new hybrid zone of imagination. Paired against this interplay of gesture and media are unrelated texts drawn from song titles as various as Johnny Mercer and Tom Waits. Containing both image and text in combination that the artist considers equally important, each work explores the double life of the image or text, prompting the viewer to invoke their own memory to divine the origins of the work and to construct a new proposition, to unearth unexpected and evocative aggregates from disparate, recombined parts.

As the artist says, “Art comes out of art; if any artist doesn’t admit to that, it doesn’t ring true… The job of an artist is to keep art alive. The torch gets passed to you and you elect to keep it burning. As De Kooning wrote, ‘a masterpiece is a masterpiece if it speaks to the present.’ Just as the job of a writer is to make the reader feel intelligent, the job of an artist is to make the viewer feel intelligent. In a way, ‘Double Play’ is an art history test. Similarly the challenge with electing to incorporate musical titles and link them with images is that they mostly convey emotional states; the danger is in appearing like a Hallmark Card, which I diligently play against.” (John Baldessari, September 2012)

John Baldessari continues to make pioneering work, developed over five decades of conceptual practice in astounding depth and breadth. His work includes photo-text paintings, conceptual works and composite photo-based works, as well as video, books, prints, objects and installation. His work has shaped the very definition of the artist’s role while expanding and interrogating the borders between photography, painting, video, drawing, sculpture and installation.

John Baldessari was born in 1931, in National City, California. He lives and works in Santa Monica (CA). He was on the faculty of the California Institute of the Arts in Valencia (1970-1988) and the University of California, Los Angeles (1996-2007).

Currently his work is on view in John Baldessari: Video Works 1970-1977 at the Stedelijk Van Abbemuseum, Eindhoven through early October. Recent solo shows include John Baldessari A Print Retrospective from the Collection of Jordan D. Schnitzer and his Family Foundation at the MCA, San Diego which ended last Spring, as well as a solo exhibition Double Bill at Galerie Marian Goodman, Paris, last April/May.

John Baldessari was recently awarded the 2012 Kaiserring Award by the city of Goslar, Germany (past recipients have included Matthew Barney, David Lynch and Rosemarie Trockel). An accompanying solo exhibition of his work is on view at Monchehaus Museum, Goslar. He was also awarded the Golden Lion Award for Lifetime Achievement at the 2009 Venice Biennale. In 2008 he received the Biennial Award for Contemporary Art from the Bonnefantenmuseum, Maastricht.

He was also the subject of a recent lifetime retrospective organized by the Tate Modern, London that traveled to MACBA Barcelona; LACMA, Los Angeles. The Metropolitan Museum of New York celebrated him in a major exhibition “John Baldessari: Pure Beauty” in 2010-2011 which retraced his career from 1962 to 2010.

The first volume of John Baldessari: Catalogue Raisonné : Volume One: 1956-1974 covering his unique works during the years 1956-1974, has recently been published by Yale University Press (New Haven and London, 2012). John Baldessari: Catalogue Raisonne: Volume Two: 1975-1986 will be published in 2013.

1 «John Baldessari in conversation with Ann Goldstein» in Köb, Edelbert and Pakesch, Peter ; John Baldessari : Life’s Balance, Work 84-04, (Cologne: Buchhandlung Walther Konig, 2004), page 91.

Please join us at the opening reception at the gallery on Friday, October 19th, from 6-8 pm.

For further information, please contact the Gallery at: 212 977 7160.

John Baldessari Artist Page

Marian Goodman Gallery
24 West 57th Street
New York, NY 10019

Telephone 212-977-7160
Fax 212-581-5187

Monday - Saturday, 10AM - 6PM
Detail Image